“You want me to go up there, sir?” I gulped. “On that ladder?”
I stared up at the high wooden ceiling of the Globe. London’s magnificent new theater would open its doors in two days—and it wasn’t ready!
I knew I should feel lucky to be part of the team of workers tasked with finishing the theater. There was just one problem. I didn’t like being a carpenter. Not at all.
I didn’t care about sawing wood, making floorboards, or applying coats of paint. I didn’t want to build a stage; I wanted to be onstage. I dreamed of being an actor.
“Yes, that ladder, Thomas Turner!” ordered my boss, head carpenter Peter Street. “Paint that arch! Everything must be perfect.”
He was right. We knew that more than 3,000 people would come to the opening of the play. Everyone was excited to see A Midsummer Night’s Dream, a wonderful comedy by William Shakespeare. He was an actor, the greatest playwright of all time—and my hero.
I loved the play—a lot. I’d been eavesdropping on rehearsals for days. I knew every line by heart.