Illustration of three kids wearing old time clothing
Art by Randy Pollak; Universal History Archive/Universal Images Group via Getty Images (Children); Bettmann Archive/Getty Images (Left Factory); Photo by Lewis W. Hine/Library of Congress (Right Factory); Irving Underhill/Library of Congress (Skyline)

The Children's March

Meet the brave kids who walked from Philadelphia to New York City to fight against long hours and dangerous work in America’s factories

Based on the true story of the Mill Children’s March of 1903

By Elise Broach

Learning Objective: Students will identify problems and solutions in a play based on real-life events in which mill children go on strike for more just treatment.

Guided Reading Level: T
DRA Level: 50
Other Key Skills: key details, inference, character, plot, key idea, narrative and informational writing, text features
UP CLOSE: Problem and Solution

As you read, look for why factory work was harmful to children and what some brave kids did to make a change. 

Prologue

H1: In the early 1900s, millions of children went to work every day to help feed their families. 

H2: Some sold newspapers or flowers in the streets.

H1: Others took dangerous jobs in textile mills, where cotton was turned into cloth.

H2: In the mills, children as young as 5 worked from dawn to dusk, six days a week, for 40 or 50 cents a day.

H1: But the children at the mills in Philadelphia thought they deserved better . . .

H2: . . . and stood up for their rights.

H1: This is their story.

Scene 1

Kensington Mill, Philadelphia, June 1903

N1: Mr. Rangnow stands at the mill’s entrance with Gus and Rose.

Mill Owner: Rangnow! These your kids?  

Mr. Rangnow: Yes, sir. Gus and Rose.

Mill Owner (calling to two boys): Eddie! James! 

Eddie: Sir?

Mill Owner: Take Gus to the spinning room. Rose, follow me—you’ll be oiling the machines.

N2: Rose looks nervous.

Gus: You’ll be great, Rose.

N3: Rose slowly lets go of her father’s hand and follows the mill owner. 

James (to Gus): First day?

Gus: Yeah. My mother had a baby. Rose and I need to earn money until she can work again.

James: My family works here too, even my little brother. He’s only 4. 

Gus: Four?  

Eddie: They don’t pay him—he just helps clean up. That’s how we all started.

N1: The boys enter the spinning room. It’s steamy, and the machines clank and roar like monsters.

N2: James shows Gus how to remove a spinning spool full of thread and replace it with an empty one.  

James: Now you try.

N3: Gus tries to grab the spool but misses.

Eddie: Careful! Be quick or your hand will get caught.

Gus: What happens then?

James: You don’t want to know.

N1: At the end of the day, tired workers stream from the mill.  

N2: A small woman with a big voice stands outside, in front of a crowd.

Mother Jones: Your work hours are too long! And your pay is too low!  

Gus: Who’s that?

Eddie: Mother Jones. She’s here to help the workers organize a strike.  

Gus: I can’t stop working—my family needs money.

James: Mine too.  

Eddie: We all need money. But if we don’t take a stand, who will?

N3: Gus looks at Eddie, surprised.

Heritage Art/Heritage Images via Getty Images 

Worked to the Bone

Kids as young as 5 worked in textile mills to help support their families. But the work was very dangerous. Many kids lost fingers, hands, or arms when they got tangled in the heavy spinning machines.

Scene 2

Gus’s house, that night

Mrs. Rangnow: How was it, my loves?

Rose (yawning): I had to crawl under those noisy spinning machines—my ears are still ringing.

Mrs. Rangnow: Well, come eat. I made chicken pudding, your favorite.

Gus: Dad, did you hear that lady outside the mill?

Mr. Rangnow: Mother Jones. People call her “the most dangerous woman in America.” 

Mrs. Rangnow: Promise me you won’t get involved with her, Gus. Strikes can be violent.

Gus: But Mom, she said we deserve—

Mr. Rangnow: Hush now. The baby is sleeping. 

N1: Confused, Gus looks down at his plate and starts eating.

Smith Collection/Gado/Getty Images

Some children developed lung disease caused by breathing in very tiny pieces of fabric.

Scene 3

Kensington Mill, the next day

Gus: It’s so hot! Can’t we open a window?

James: They’re nailed shut. 

Eddie: It keeps the air damp so the thread doesn’t break.

Gus: It’s hard to breathe.

N2: Suddenly, they hear a piercing scream. Gus freezes.

Gus: Rose!

Mill Owner: Hey! Back to work! Now!

N3: But Gus takes off. He finds Rose crouched under a machine, sobbing. Her hand is covered in blood. 

Scene 4

Streets of Philadelphia, a week later

N1: The boys stand in a crowd listening to Mother Jones. The angry mill owner paces nearby.

Mother Jones: Children should be in school, not getting hurt in factories!

James: Yeah! Look at the hump on my back from carrying those heavy bags of yarn.

Eddie: How’s Rose, Gus?

Gus (upset): She’s OK, but she can’t use her hand.

Mother Jones: You must fight for freedom, like America’s first patriots. Fight for your rights! It’s time to strike!

Crowd: Fight for your rights! It’s time to strike!

Mill Owner (threateningly): If you strike, I’ll give your job to someone else.

Mother Jones: Children, let’s show the world that you deserve better! Let’s march from Philadelphia to New York City! 

Eddie (to Gus and James): We have to march. Otherwise, nothing will ever change. 

Gus: My parents don’t want me to join.

Eddie: Then why is your father here?

N2: Surprised, Gus scans the crowd and spots his father. He walks over to Mr. Rangnow.

Gus: I didn’t think you liked Mother Jones. 

Mr. Rangnow: Well, it never hurts to listen.

Gus: What happened to Rose—that shouldn’t happen to anyone. 

Mr. Rangnow: No, never.

N3: Gus thinks for a moment.

Gus: I want to strike. For Rose.

N1: Mr. Rangnow rests a hand on Gus’s shoulder.

Mr. Rangnow: Do what you think is right.

N2: Gus sees Eddie, then James, follow Mother Jones.

N3: With a deep breath, Gus joins a hundred kids marching together, as a band plays loudly.

Mother Jones: To New York City!

Jim McMahon/Mapman ®

Scene 5

New Jersey countryside, a week later

N1: The children have walked more than 40 miles in the heat and rain.

N2: Too exhausted to continue, many children have gone home.

Eddie: These mosquitoes are so bad.

James: I’m starving!

Mother Jones: You’re making a difference, boys. Don’t lose heart now.

Gus: Maybe we’ll feel better if we eat something. Look, there’s a farmhouse.

N3: Gus knocks. A woman answers.

Gus: Ma’am, could you spare some food? We’re—

Farmer’s Wife: —the kids from the mill! I read about you in the paper! Come in, come in.

N1: She gives them bread and a big bowl of vegetable soup.

Eddie: This tastes like heaven.

Farmer’s Wife: It’ll give you strength to keep going. Fight for your rights! It’s time to strike! 

N2: Gus, Eddie, and James smile.

Library of Congress

A Long Fight

Mary Harris “Mother” Jones (center) had organized several strikes to protect workers’ rights by the time of the Children’s March in 1903. Several hundred mill workers—kids and adults—set off from Philadelphia on July 7. Gus Rangnow, James Ashworth, and Eddie Dunphy were the only kids who made it to President Theodore Roosevelt’s home. The 125-mile march lasted three weeks.

Scene 6

New York City, a week later

Mother Jones: We’re finally here! Now let’s tell people why we came.

N3: Mother Jones and the children start walking up a big avenue lined with tall buildings. 

N1: Suddenly, police officers surround them.

Police Officer: Stop! No marching without a permit.

Eddie: But we’re marching to make things better for mill workers. For kids like us.

Gus: Do you have children, sir?

Police Officer: I do.

Gus: Wouldn’t you want them to be in school instead of working a dangerous job in a factory?

Police Officer: Of course.

Gus: Well, that’s why we marched all the way from Philadelphia. What’s happening to kids in the mills isn’t fair. They’re getting hurt!

N2: After a pause, the officer nods. 

Police Officer: OK, kids. We’ll help you get where you’re going.

N3: Six hundred police officers stop traffic so Mother Jones and the children can march through the city.

N1: The marchers wave signs that read “We Want to Go to School” and “We Only Ask for Justice.” 

N2: A large crowd cheers them on. 

James: Look how many people!

Gus: And they’re all on our side!

Reporter: Mother Jones, what’s next?

Mother Jones: These brave children have sacrificed so much to be here. They deserve to just be kids. What about a trip to the beach?

N3: Gus, Eddie, and James stare at her, amazed.

Geo. P. Hall & Son/The New York Historical Society/Getty Images

Time to Play

Even in the early 1900s, Coney Island was a place of fun, with its rides, animal shows, and sandy beaches. For the mill children, the visit to Coney Island was likely the first time they’d ever had a whole day to play.

Scene 7

The beach in Coney Island

Hulton Archive/Getty Images

President Theodore Roosevelt

N1: The boys run barefoot through the waves.

James (laughing): This is so much fun!

Gus: I wish Rose and I could play every day. I don’t want the march to end.

Eddie: What if we just keep going?

James: What if we tell the whole world? 

Gus: What if we tell . . . the president?

N2: The boys look at each other, then race across the sand to Mother Jones.

Scene 8

President Theodore Roosevelt’s summer house, Long Island

N3: Gus, Eddie, and James stand with Mother Jones before a locked gate. 

Guard: I’m sorry, you need to leave.

Eddie: Not until we see President Roosevelt.

Guard: The president won’t see you.

James: But—

Guard: Please go.

N1: They turn away, disappointed.

James: We did all this for nothing.

Gus: No, James. We did this so people would know about us. And now they do. 

Mother Jones (smiling): That’s right, Gus. Change doesn’t always come when you’d like . . . but it does come.

Gus: Because of people who fight for what’s right. 

Mother Jones: People like you. You boys can go back to work with your heads held high.

Epilogue

H2: Even though Gus, Eddie, and James didn’t talk to the president, their voices were heard.  

H1: The march drew attention to the long hours and dangers faced by working children.

H2: Within a few years, Pennsylvania banned work for kids younger than 14. 

H1: Eventually, the U.S. government passed a law to keep children out of factories and in school.

Gus, Eddie, James: We hope our story inspires you to make change too!

Write to Win

Imagine you’re Gus, Eddie, or James. Write a journal entry telling why you joined the march. Were you happy with its outcome? Send it to “March Contest” by Feb. 1, 2023. Five winners will each receive a copy of Duet by Elise Broach. Visit the Storyworks Contests page for more information.

This play was originally published in the December 2022/January 2023 issue.  


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Activities (8)
Quizzes (1)
Answer Key (1)
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Step-by-Step Lesson Plan

Table of Contents

1. Preparing to Read

2. Reading the Play

Close Reading, Critical Thinking

3. Skill Building and Writing

4. Differentiate and Customize

Striving Readers, Advanced Readers, Multilingual Learners

5. Can’t-Miss Teaching Extras

1. Preparing to Read

Preview Text Features, Introduce Vocabulary, and Set a Purpose for Reading

 

  • Ask students by a show of hands if they would prefer to go to school or work at a job. Call on a few volunteers on each side to explain their answers. Then draw students’ attention to the image on page 24 and the child holding a sign that says “We want to go to school.” Ask students to make a prediction about why kids are holding this and other signs.
  • Point out the words “Historical Fiction” at the top of page 24 and discuss what this genre is: a story based on historical events that includes some made-up characters and actions or dialogue. Draw students’ attention to the Character Box on page 25. Ask: Which characters in this play were real people? (Eddie, Gus, James, and Mother Jones)
  • Build background knowledge about the issues and characters in the play by showing the Text Features Slideshow. Students can complete the accompanying Text Features Skill Builder.
  • Show or digitally assign the Vocabulary Slideshow to preview challenging terms, most of which are related to the kids’ fight for fair treatment in the mills. Follow up before or after reading with the Vocabulary Skill Builder. Highlighted terms: textile, strike, take a stand, piercing, patriots, permit, justice, sacrificed.
  • Call on a volunteer to read the Up Close box on page 25.

 

2. Reading the Play

  • Assign parts and read the play aloud as a class or in groups. Students can also listen to our Author Read-Aloud of the play as a first read.
  • After reading, put students in small groups to discuss the close-reading questions. Then talk about the critical-thinking questions as a class.

Close-Reading Questions

 

  • Which details in the Prologue and Scene 1 suggest that working in mills is dangerous and difficult? (identifying a problem) The work appears difficult because children as young as 5 worked long days, six days a week, for low pay. The machines in the mill are loud and “roar like monsters.” The work seems dangerous because Rose must slip under the machines to oil them, and Gus is warned that if he doesn’t change the spools of thread fast enough, something terrible could happen to his hand.
  • Based on the end of Scene 1, Scene 2, and Scene 4, what are the risks of going on strike? What could be the benefits? (key details) The risks are that workers would have to go without pay when they desperately need money; they could lose their jobs altogether; and the strikes could become violent. The benefits are that workers could gain rights they deserve, like fair pay, fewer hours on the job, safer conditions, and age limits so that children can go to school rather than work.
  • In Scene 2, Mr. Rangnow tells his family that people call Mother Jones “the most dangerous woman in America.” Mother Jones organized strikes and helped people demand their rights. Who might have seen these activities as dangerous? Why? (inference) The owners of mills and other factories might have seen Mother Jones as dangerous, because strikes and demands for rights, like fairer pay and more reasonable hours, could lead to a decrease in the amount of money the factory owners could earn and keep for themselves. So they didn’t want Mother Jones to inspire their workers to ask for change.
  • What can you infer from Scene 3 about the Kensington Mill owner? Does he care about his workers? Explain. (inference) You can infer that he does not care about his workers. He keeps the windows nailed shut, even though it’s very hot for the workers, to protect the thread. When Rose is injured, he reacts by ordering everyone to go back to work.
  • How does Mr. Rangnow change in Scene 4? (character) Mr. Rangnow goes from being against the strike to being in favor of it. He realizes that what happened to Rose’s hand was wrong and that people need to speak out about the unfair treatment of workers—especially children—that is happening in the mill.
  • In Scene 6, what convinces the police officer to let the children march through New York City? What does this scene show about the effectiveness of the Children’s March? (plot) Gus convinces the police officer to let the children march by asking whether the officer would want his own children to work in dangerous factories instead of going to school. The scene shows the effectiveness of the march because large crowds hear the children’s messages and cheer them on. You can infer that this will help lead to change.
  • Think about Gus’s line in Scene 8, after the president refuses to see the marchers: “We did this so people would know about us. And now they do.” Why is this statement important? (key idea) The statement shows that even though they didn’t achieve everything they wanted, they got their message out, which is the beginning of making a change.
  • Based on the Prologue, what changes did the march help bring about? (identifying solution) Because of the attention the march brought to the children’s situation, Pennsylvania banned work for children under 14, and eventually, a law was passed to prevent kids from working in factories across the country.

 

 

Critical-Thinking Questions

 

  • Think about the problems that led Gus, Eddie, and James to join the Children’s March. At the end of the play, do you think the boys likely thought they had solved their problems? Explain. (problem and solution) Answers will vary. The boys went on the march to draw attention to the problems they and other children who worked in textile mills faced: They worked long hours at low pay in dangerous jobs and couldn’t go to school because they were working. At the end of the play, even though they had joined the strike and gone on the march, they still had to go back to work at the mill. Some students will say they likely didn’t think they had reached a solution since nothing changed for them. Others may say that they likely did think they had reached a solution because they made their voices heard, which was the first step in making change, and a few years later, new laws were passed.
  • Based on what you read in the play, what characteristics do you think it takes to try to make a change? Use examples from the play in your answer. (character traits) Answers will vary, but students might say that it takes courage to try to make a change. The kids had to risk going without pay or losing their jobs by going on strike. Plus, they could have faced violence. Making change also takes energy. To spread the word about conditions in the mill, the children went on an exhausting march, and only Gus, Eddie, and James went the entire way. Finally, it takes patience. Despite their efforts, laws to improve conditions for working children still took a few years to pass. As Mother Jones said to them, “Change doesn’t always come when you’d like . . . but it does come.”

3. Skill Building and Writing

Featured Skill: Problem and Solution

  • Assign the Problem and Solution Skill Builder or assign the Slide Deck. Have students complete it independently or together with a partner. This skill builder will help prepare students to respond to the writing prompt on page 28.

Differentiate and Customize
For Striving Readers

Gather students to read the play in a small group. Assign parts, taking some of the parts for yourself, or play the Author Read-Aloud as students follow along. Pause at the end of each scene and have students turn and talk with a partner about what happened in it. Clarify any parts students are confused about by guiding them to reread and locate where comprehension is breaking down; for example, not knowing a word’s meaning or not making a connection to what happened earlier.

For Advanced Readers

Draw students’ attention to Mother Jones’s lines in Scene 4: “You must fight for freedom, like America’s first patriots. Fight for your rights! It’s time to strike!” Have a discussion or hold a Socratic seminar about what she means. Why does she compare going on strike to acting like America’s first patriots? Do students think this is a good comparison? Why or why not?

For Multilingual Learners

To make sure students understand why the children in the play were protesting, focus on the vocabulary words strike and justice. You can go over them in the Vocabulary Slideshow and talk about their meanings and how they apply to the play. Invite students to share the words in their home languages if they know them. Then have them pretend they are the kids in the play and have them make signs they could carry on the march. Tell them they can make the signs in English or in their home language.

Can't-Miss Teaching Extras
Explore the Storyworks Archive

Pair this play with another that tells the true story of kids who stood up for their rights: “The Newsies,” from our December 2020/January 2021 issue.

Read More About the Mill Children

Mother Jones and Her Army of Mill Children by Jonah Winter is a vibrant picture book about the protest against child labor. For older readers, check out the graphic biography Mother Jones: Labor Leader by Connie Colwell Miller.

Analyze a Primary Source

Photographer Lewis Hine became well known for his images of children working in extreme conditions. After looking through Hine’s photographs here, your students can use this worksheet from the National Archives to analyze an image to gain deeper understanding. (Note: The web page has ads.)

Text-to-Speech